Tag Archives: mezzogiorno

OpenPompei: open data and the hacker economy vs. the mob

Veduta di Pompei
I’ve got a new task. I will run a new project called OpenPompei. It is part of the government’s new strategy in the Naples area, and in particular Pompeii.

Here’s the background: by the end of 2011 the government was convinced that the battle for the rule of law and a decent life for all in Italy’s Mezzogiorno would be won or lost in Pompeii, a symbol of the battle itself. In a very short time, three ministers – culture, interior and regional cohesion) set up a hundred-million euro project to restore the insulae damaged by the rain (a scourge of all open-air archaeological sites); got the European Commission’s seal of approval; wrapped it into an advanced security model that should keep mob-polluted companies to win any tenders. Thus was born the Great Pompeii Project.

As a very minor integration of this massive project, the government decided in 2012 to launch a small initiative for transparency, inquiry and mobilization. Spending on culture is great; protecting that spending against criminal infiltration is even better; but neither is enough. Public spending must be not just legitimate, but effective and efficient. It was decided that releasing the spending data from the Great Pompeii project must be a step in the right direction. Access to data and data-powered public debate can help to discover errors suggest improvements, drive administrations to perform better.

On this intuition, OpenPompei was born. Its remit has been kept broad on purpose, and includes:

  • promoting a culture of transparency and open data of a large area, of which Pompeii is the symbolic center. The idea is to have a small team ready to help southern administrations that wish to try their hand at open data policies. We shall start, obviously, from the data of the Great Pompeii Project.
  • reconnoitering and investigating the area’s hacker economy. As all densely populated places, the Naples area is full of co-working spaces, new digital companies, social enterprises, social innovators, sharing economy types. As everywhere, these initiatives are often fragile and isolated, but embody an idea of the future. Our ambition is to get to meet them, find out more about their goals, struggles and successes, and – if possibile – get their voice into the public policy debate, with no ambition to solve every problem.

The dream behind OpenPompei is to help build an alliance of civic hackers, non-compromised enterprises and State to maintain a high level of attention on public spending, so as to fight corruption and increase efficiency. It is unlikely for a small, peripheral project to achieve such a lofty goal, but we hope to give a contribution – at least one of knowledge.

To guarantee its independence, OpenPompai was set up as a European-funded project. Studiare Sviluppo, a in-house company of the ministry of the economy, was tasked with delivering. I worked with them before on Visioni Urbane e di Kublai. Wish me well, and be there for me when the going gets rough, ok?

Economista, ma concreto: Visioni Urbane consegna il prodotto (con contorno di Wikicrazia)

Gli economisti hanno fama di tendere al ragionamento astratto più che alla concretezza dell’azione. C’è un po’ di verità in questo luogo comune, tanto che nei dipartimenti di economia fiorisce il sottogenere delle barzellette sugli economisti. Questa, per esempio:

Un economista, dopo un naufragio, si ritrova su un’isola deserta. Si guarda intorno e vede una cassa di legno depositata sulla spiaggia dalla marea. La apre: è piena di scatolette di cibo, nutriente e a lunghissima conservazione! Purtroppo non ha nessuno strumento per aprirle: è forse condannato a morire di fame seduto di fronte a tutto quel cibo? L’economista non si perde d’animo e affronta il problema così: “Ipotizziamo di avere un apriscatole…”

Molti di noi soffrono per la mancanza di concretezza associata talvolta alla nostra professione. Per questo sono così contento di andare a Potenza venerdì 4: perché tre anni e mezzo fa il Ministero dello sviluppo economico mi ha chiesto di assistere la Regione Basilicata nell’elaborazione di una politica di spazi laboratorio per la creatività. Io ho insistito per prendere la strada, lunga e accidentata, del coinvolgimento dei creativi lucani; e oggi, finalmente, il primo spazio (si chiama Cecilia) è pronto, e gli altri quattro sono in consegna. Non solo gli spazi sono stati coprogettati insieme ai creativi di quel territorio; non solo sono sorretti da un’analisi dettagliata di quali imprese e associazioni creative, su quei territori, intendono fare con quegli spazi; ma sono integrati con un bando-tipo per l’assegnazione della gestione, concordato con i Comuni competenti, e con un modello di governance regionale delle politiche culturali.

Il progetto si chiama Visioni Urbane. Ne ho parlato spesso in questo blog. Mi dicono che ultimamente è diventato una specie di bandiera dell’amministrazione regionale; tanto che le associazioni chiedono ora lo stesso tipo di coinvolgimento in altre politiche, come l’istituzione della Film Commission, e la stessa amministrazione, forte del buon rapporto di collaborazione con i creativi, si è impegnata per lanciare la candidatura di Matera come capitale europea della cultura 2019. Non è un caso che la coordinatrice del progetto di candidatura sia Rossella Tarantino, il referente di VU, e che anche il direttore scientifico, Paolo Verri, sia stato “pescato” dalle personalità che hanno collaborato con VU.

Di Visioni Urbane parlo molto nel mio libro Wikicrazia, e l’inaugurazione di Cecilia conterrà, tra le altre cose, una presentazione del libro. Ma quello è il meno: pregusto l’emozione di toccare con mano una policy che ho contribuito a progettare, e che è diventata molto concreta, tanto che mi ci posso sedere dentro per ascoltare un concerto. Per un economista è una soddisfazione relativamente rara.

The practical economist: Visioni urbane delivers the goods (with a side of Wikicracy)

Economists are commonly deemed to be more prone to abstract reasoning than to concrete action. There must be a grain of truth in this, because it is quite common to hear economists jokes in Economics Departments. This one, for example:

After a shipwreck, an economist ends up stranded on a desert island. He looks around and sees a wooden box, washed upon the shore by the waves. He opens it: it is full of canned food, nutritious and long-lasting! However, he does not have any tools to open the cans: is he doomed to starve amidst abundance? The economist does not lose his cool, and he tackles the problem the way his profession tas taught to to: “Assume I have a can-opener…”

Many of us yearn for concreteness. This is why I am so happy to fly to Potenza on Friday 4th: in May 2007 the Ministry of Economic Development asked me to help the Basilicata regional administration in designing a policy to build creative spaces, and now the first space (called Cecilia) is here, and the other four will follow in a matter of months. Not only have they been designed chiefly by the local creatives that are going to use them; they also come with clear guidelines for being turned over to private sector– and third sector entities or running them, which the competent local authorities have signed off to; and are integrated with a pretty advanced governance model of the Region’s cultural policy.

The project is called Visioni Urbane. I have dealt with it before. I’m told it’s becoming some sort of flagship project for the regional adiministration; the “Visioni Urbane method” is being demanded on tackling other policies (for example setting up a regional Film Commission), and the administration itself is building upon the partnership with the creatives created within Visioni Urbane to launch Matera’s bid for European Culture Capital 2019. It is no coincidence that the person in charge of Visioni Urbane, Rossella Tarantino, has been appointed as coordinator of that bid; and another Visioni veteran, Paolo Verri, is serving as scientific director.

My book Wikicrazia contains a lot of Visioni Urbane war stories, and the grandopening of Cecilia will include a book presentation. But what I’m really looking forward to is the joy of witnessing a policy that I helped to develop go live, live and so concrete that I can actually sit and listen to a concert in it. For an economist, this is a thrill, alas, all too rare.